LP301
A short, intensive course based on the Apple certification curriculum
Using Project Templates, Creating Your Own Template, Customizing the Interface, Using Key Commands, Accessing the Tool Menu, Saving a Project Template, Opening and Creating Projects Automatically, and Backing Up and Transporting Your Setup
Creating Your Own Apple Loops with the Apple Loops Utility, Using the Time and Pitch Machine, Using Pitch Correction, Using Flex Time, Using Speed Fades, Making Tempo Adjustments with Varispeed and Working with Rubato Passages
Understanding the User Interface, Exploring the Oscillator Waveforms, Using Oscillator Modulation to Create Interesting Sounds, Sculpting Your Sound Using the Filters, Using Modulation and Exploring the Output/Processing Section
Creating Sampler Instruments, Using the EXS24 Instrument Editor, Creating Loop Points, Using the Parameter Window, Creating Multiple Zones from Regions Transients, Using Filters and Modulation to Process the Sound, Using Groups and Routing Individual Sounds for Processing
Understanding the String, Using Objects in Sculpture, Adjusting the Pickups, Processing the Sound, Using Modulation in Sculpture and Saving and Trying Presets
Selecting Sounds in the Assignment Section, Exploring the Sound Generators, Processing with the Filter and Bitcrusher and Automating Parameters in Step Mode
Navigating the Arrangement, Using Markers, Using Global Edits and Working with Folders
Smoothing Transitions with Crossfades, Fixing Clicks in the Sample Editor, Creating New Parts from Existing Ones, Editing with Mixer Groups, Repairing Drums with Marquee Transient and Editing Drums in Soundtrack Pro
Using Aliases, Working with Region Parameters, Selecting MIDI Events for Editing, Using Transform Functions and Separating MIDI Events
Importing Channel Strips and Data, Working with the Mixer, Creating Production Notes, Panning Stereo Tracks, Switching the Contents of the Plug-in Window, Changing Plug-in Locations, Using a Plug-in’s Extended Parameters and Using Mixer Groups
Using Aux Channels as Submixes, Applying Send Effects to Submixes, Using Side Chain Effects, Positioning Sends Pre or Post Channel Strip Controls, Incorporating External Effects Processors and Bouncing in Place
Automating an Aux Channel, Copying Automation Data Between Tracks, Scaling Automated Values, Applying Automation to Multiple Tracks at Once and Using Control Surfaces
Navigating within the Environment, Creating Environment Objects, Creating Signal Chains and Using Touch Tracks Objects
Students take an end user exam to earn Apple Certified Pro, Logic Pro 9 Level Two status
Check some of the the questions we are asked more frequently and decide whether this is the best Logic course for your level of experience.
Discover the advantages of becoming an Apple Certified Pro.
Apple Certification is available for Logic Pro, Logic Express, and Soundtrack.
Five reasons to be Certified, and five reasons to hire a Certified Pro.
Due to the small size of our classes we recommend booking as early as possible.
Call +44 (0)20 7720 6183 or email info@londonschoolofsound.co.uk
The following topics are covered in the course book but are not featured in the class or exam.